The Psychology of Beauty
img img The Psychology of Beauty img Chapter 32 No.32
32
Chapter 1 No.1
Chapter 2 No.2
Chapter 3 No.3
Chapter 4 No.4
Chapter 5 No.5
Chapter 6 No.6
Chapter 7 No.7
Chapter 8 No.8
Chapter 9 No.9
Chapter 10 No.10
Chapter 11 No.11
Chapter 12 No.12
Chapter 13 No.13
Chapter 14 No.14
Chapter 15 No.15
Chapter 16 No.16
Chapter 17 No.17
Chapter 18 No.18
Chapter 19 No.19
Chapter 20 THE NATURE OF THE EMOTIONS OF THE DRAMA
Chapter 21 No.21
Chapter 22 No.22
Chapter 23 No.23
Chapter 24 No.24
Chapter 25 No.25
Chapter 26 No.26
Chapter 27 No.27
Chapter 28 No.28
Chapter 29 No.29
Chapter 30 No.30
Chapter 31 No.31
Chapter 32 No.32
img
  /  1
img

Chapter 32 No.32

But we have up to this time consistently neglected the central idea of the work of art, and its claim to be included in the aesthetic formula. We have defined beauty as that which brings about a state of harmonious completeness, of repose in activity, in the psychophysical and psychological realms. This harmonious repose can exist only with a disin

                         

you_might_like

Between the Lines.

Literature

5.0

The 2010 CIA World Factbook

Literature

5.0

The Tragedy of Pudd'nhead Wilson

Literature

5.0

A Connecticut Yankee in King Arthur's Court

Literature

5.0

The Motor Girls

Literature

5.0

The Moorland Cottage

Literature

5.0

COPYRIGHT(©) 2022