The Psychology of Beauty
img img The Psychology of Beauty img Chapter 23 No.23
23
Chapter 1 No.1
Chapter 2 No.2
Chapter 3 No.3
Chapter 4 No.4
Chapter 5 No.5
Chapter 6 No.6
Chapter 7 No.7
Chapter 8 No.8
Chapter 9 No.9
Chapter 10 No.10
Chapter 11 No.11
Chapter 12 No.12
Chapter 13 No.13
Chapter 14 No.14
Chapter 15 No.15
Chapter 16 No.16
Chapter 17 No.17
Chapter 18 No.18
Chapter 19 No.19
Chapter 20 THE NATURE OF THE EMOTIONS OF THE DRAMA
Chapter 21 No.21
Chapter 22 No.22
Chapter 23 No.23
Chapter 24 No.24
Chapter 25 No.25
Chapter 26 No.26
Chapter 27 No.27
Chapter 28 No.28
Chapter 29 No.29
Chapter 30 No.30
Chapter 31 No.31
Chapter 32 No.32
img
  /  1
img

Chapter 23 No.23

A necessary step to the explanation of our pleasure in supposedly painful emotions is to make clear how we can feel any emotion at all in watching what we know to be unreal, and to show how this emotion is sympathetic, that is, imitative, rather than of an objective reference. In brief, why do we feel WITH, rather than toward or about, the actors?

            
            

you_might_like

Between the Lines.

Literature

5.0

The 2010 CIA World Factbook

Literature

5.0

The Tragedy of Pudd'nhead Wilson

Literature

5.0

A Connecticut Yankee in King Arthur's Court

Literature

5.0

The Motor Girls

Literature

5.0

The Moorland Cottage

Literature

5.0

COPYRIGHT(©) 2022