The Psychology of Beauty
img img The Psychology of Beauty img Chapter 21 No.21
21
Chapter 1 No.1
Chapter 2 No.2
Chapter 3 No.3
Chapter 4 No.4
Chapter 5 No.5
Chapter 6 No.6
Chapter 7 No.7
Chapter 8 No.8
Chapter 9 No.9
Chapter 10 No.10
Chapter 11 No.11
Chapter 12 No.12
Chapter 13 No.13
Chapter 14 No.14
Chapter 15 No.15
Chapter 16 No.16
Chapter 17 No.17
Chapter 18 No.18
Chapter 19 No.19
Chapter 20 THE NATURE OF THE EMOTIONS OF THE DRAMA
Chapter 21 No.21
Chapter 22 No.22
Chapter 23 No.23
Chapter 24 No.24
Chapter 25 No.25
Chapter 26 No.26
Chapter 27 No.27
Chapter 28 No.28
Chapter 29 No.29
Chapter 30 No.30
Chapter 31 No.31
Chapter 32 No.32
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Chapter 21 No.21

THAT psychologist who, writing on the problems of dramatic art, called his brochure "The Dispute over Tragedy," gave the right name to a singular situation. Of all the riddles of aesthetic experi8ence, none has been so early propounded, so indefatigably attempted, so variously and unsatisfactorily solved, as this. What is dramatic? What constitutes

            
            

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