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It happened, the next day after the funeral, I came upon reproductions of Aubrey Beardsley's "Atalanta," and of the tail-piece "Salome," and others. I sat and looked and my soul leaped out upon the new thing. I was bewildered, wondering, grudging, fascinated. I looked a long time, but my mind, or my soul, would come to no state of coherence. I was