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My dear girls, I want to talk to you to-day about one of your very best friends,-one so altogether lovely, from first to last, that we can never exhaust her attractions.
Nature is, indeed, among the most loving and constant friends a girl can have, and not by any means the imaginary acquaintance so many suppose she is. She lives and breathes, and has a form and spirit. Are you looking about to see where she is? No need of that. Come right here, and sit down beside me under this great pine-tree. How strong and comfortable its back feels against yours! Do you see all those soft green points looking down on you while the tasselled branches gently sway? Just look at the deep blue patches of sky away up and up among the green arches. How cool and smooth and restful! how unending the color is in which the leaves lie! How hardy and brave the branches look! See the lines of beauty in them,-long, aspiring, slightly curving lines,-which meet and terminate in cathedral spires. What grace in the motion of every spray of greenness! what a healing odor in the breath of the tree! And, hark! a little breeze has touched it, and tuned its language into a plaintive song,-a sound like the surf washing upon a distant shore. Do you know why the pine is so sad a tree? Let me tell you her story. No; she will sing it herself, if you will listen to the nocturn: "Long, long ago I had my home on an island of the ocean, and my branches swayed and sang to the waves that kissed my feet with the fondness of a betrothed lover. The winds were envious of our sweet union, and blew away from me the germs of life. My seeds sprang up again, but on foreign soil; and the new trees, my offspring, are the same in form and color, but their souls are all sad from my recounted memories of departed joy." When the slightest breeze comes near, and ventures to softly touch the branches, a sound like sobbing follows; but when, with rougher grasp, the east wind approaches, a wailing like the utterances of a storm-tossed sea is heard. Listen! do you not hear it now? It is the imprisoned spirit of the pine, longing for the waves, moaning out a vain desire for the embrace of the sea.
How am I sure the tree is alive and friendly? Doesn't it bow to you when you pass, and curve and sweep before you? Doesn't it offer you rest and refreshment in its shade? Doesn't it entertain you by showing you beautiful pictures and forms, and doesn't it furnish you with music? See what an instructor it is! Away up there among the branches are lessons involving the very first principles of architecture, sculpture, and painting,-signs that show the laws of harmony and hint at morality itself. Its trunk and limbs look honest and courageous, firm and trusty, while all its lofty, tapering height points Godward.
It is your confidant; and the more you tell it, the more you will find to say. While it is very modest and retiring, requiring time to get acquainted with you, still, the more it talks to you, the more you will want to hear. The pine is your school-master, and you are the royal pupil,-Roger Ascham and Queen Elizabeth. It is no longer an ordinary tree, but something born with a spirit in it; and it has birthdays. Thoreau, the man who loved Nature so much that the birds and the fishes took care of him and were never afraid of their master, used to visit certain trees on certain days in the year. The pine has a birthday worth celebrating in December, the maple in October, and the birch in May. You think this is all fancy, and believe persons must be very imaginative to find such friends in Nature? Oh, no; along with fancy Nature tucks very real things into our thoughts about her. You only need an introduction to her, and you will see for yourselves. The most practical among you will find that even fancy is a most useful quality, because it leads men to think out great truths.
Some of the most remarkable ideas in literature, philosophy, science, and, religion have come from just this snug little acquaintance with Nature. Probably the most original poet in the last hundred years was Wordsworth. However much he lacked in some respects, he has done most towards shaping the minds of other poets, and towards advancing new and beautiful theories. His honest ideas, his simple truths, were told him by the field-flowers-the celandine and daisy and daffodil-as well as by the common trees and the common sky. I suppose most of the principles of natural philosophy, and of many of the sciences, must have been derived from an acquaintance with Nature in her ordinary aspects. Oh, do not think it necessary to behold Nature in her great stretches of sublimity in order to appreciate her. You will come to know her far more easily, and much more helpfully, in a little woodside walk, or right here underneath these branches, than you will in Niagara Falls, or in looking at her in the great ocean. She comes down more to the level of your understanding here in this meadow. Comes down to your comprehension? Yes; I mean that, and yet I would not for a moment imply that in her most commonplace guise you can exhaust her beauty. Do you know what Mr. Ruskin says about such an apparently insignificant thing as a blade of grass? "Gather a single blade of grass, and examine for a minute, quietly, its narrow, sword-shaped strip of fluted green. Nothing it seems there, of notable goodness or beauty. A very little strength and a very little tallness, and a few delicate long lines meeting in a point.... And yet, think of it well, and judge whether of all the gorgeous flowers that beam in summer air, and of all strong and goodly trees, pleasant to the eyes and good for food,-stately palm and pine, strong ash and oak, scented citron, burdened vine,-there be any so deeply loved, by God so highly graced, as that narrow point of feeble green."
But how to get acquainted with Nature is the question. By observation,-by simply opening your eyes and seeing. If no one yet knows all about a blade of grass, surely no one has so far beheld all the beauty there is in a single sun-rise. You cannot see every thing at a glance. When you first let your eyes rest upon the horizon, you may see only a piece of sky in the east: not very remarkable, you think, except that here and there are things that look like streaks of red and yellow. Later, you find something unobserved before,-clouds shaped like islands and balanced in mid-air, or lying like rafts which float along the edge of the sky. Then the color seems to deepen, and to spread out in great bars of light which lift and remove the remnants of the night. They are floating barges,-gondolas richly decked with crimson and gold, and burning with jewels of light. A coolness seems to come in the air, an exhilaration in your feeling. Energy, enterprise, are inspired with the dawn. When the sun is really up in the heavens, you feel an expansion of spirits, and great light is within you. You, too, will make a path through the day, as the sun makes his path through the heavens. By and by you will be able to say with the bardic philosopher, "I see the spectacle of morning from the hill-top over against my house from daybreak to sunrise, with emotions which an angel might share ... I seem to partake its rapid transformations. The active enchantment reaches my dust, and I dilate and conspire with the morning wind ... Give me health and a day, and I will make the pomp of emperors ridiculous." And, at length, you will rise above the earthly, and exclaim with the psalmist, "Lift up your heads, O ye gates; and be ye lift up, ye everlasting doors; and the King of glory shall come in."
Observe the humblest flower that grows, and first you may notice only its color, or form, or fragrance. Look again, and some added beauty appears. Observe more closely, handle it, and you are made a little thoughtful, because, all unconsciously to yourself, it may be, the flower is doing something to your mind and heart and soul. Perhaps its velvety softness and its lowliness speak to you of humility and gentleness; or perhaps its fragrance breathes sweetness into your life and feeling,-only a little, to be sure, but that little means something. The spirit of the flower speaks to your spirit; and you wonder what relation it bears to you, and if you are not both connected with the spirit of God.
There is something more than sentiment in attributing character to flowers, something better than fancy in saying, "Pansies for thoughts." Growing things all mean real things; so do the stones in the stone-wall, and the gravel on the road, and the very breeze that blows in our faces,-all and each have a significance which does not at once meet the outward eye.
It would be very delightful, and certainly very useful, if, besides this friendliness in Nature, you could learn some of the special values of Nature, as shown by science. A botanist has fuller joy in flowers and ferns and grasses than a mere observer of them, and a geologist has more pleasure in rocks than he who remarks them for their beauty's sake. Still, this friendship and this general observation had to come before the scientific knowledge was possible. I have great sympathy for those who, while ignorant of technicalities, love objects for just simply the things themselves.
When you begin to get acquainted with the externals of Nature, then, of course, you will ask how they are made; and the lessons of science will attract you. Looking at the smoothness of the rounded stones, you will be led to examine their ancient homes beneath the waves; noticing the long straight lines on the rocks, you will wander back to the period when ice covered the land, and the earth was wrapped in chaotic gloom. Observe, only observe! and curiosity will press for you the very secrets out of the woods, the streams, the skies. Look around you! There is such an infinite number of objects to consider right about your own porch-door,-the lichens on the door-stone, the apple-tree shading the path, the striped pebble that you kick aside, the plant pressing up between the boards, the dew shimmering on the weed. Investigate all your surroundings, especially the small, neglected places, and try to have an opinion about what you observe. A busy man, a merchant, noticed, some time ago, a thistle growing by the wayside. He was journeying in the steam-cars at the time; and, although the next stopping-place was somewhat far, he walked back to find the strange flower. The prize he gained was a rare plant, a beautiful thistle of which he had only heard before.
Oh, Nature is so modest! But once set her talking, she will forget your presence, and babble like the brook. How much she has told the poets, and the men of science! How much she will tell you, too, if you but heed her!
Ah, girls, what slight attention we have, in reality, shown to Nature! We treat her more like a servant than a friend and companion. The desire for excitement has turned our minds to vainer subjects. The struggles which our elders have made for money and position have deprived them of chances for regarding natural objects. However deplorable this may be, it is a still more lamentable fact, that you, dear girls, give so little heed to Nature,-you who have time and to spare. It lies with you to cultivate this love for the natural world, that future generations may be more mindful of it.
When we refuse the gladness that Nature offers us, we dismiss a large share of the happiness God intended for us. I ought to be a little more lenient in my criticism on the lack of appreciating Nature, perhaps; for not a few of us may find lingering in our minds some autumnal glory which lights up our memories with colors of crimson and gold. We should remember, however, that not only the glow of autumn and the flush of summer are beautiful, but that every season, every climate, every aspect in the shifting panorama of Nature, has a beauty as real. Our own region, be it arid with parching suns, or wet with frequent rains; be it always winter there, or always summer, is full of beauty. There is sunset on the desert, moonrise on mid-ocean, gorgeous coloring and crowding life in the tropics, dazzling starlight over ice-bound lands. Neither is one day so much better than another for beholding Nature. Yesterday we let the mild sunshine redden the blood beneath the skin; to-day we are drawn from our study of the perfect harmony of grays in the clouds and trees to watch, within the house, the bright light which gleams from the coals,-Nature brought up out of the earth.
Regard even one day of our worst weather, as we say,-worst for our health or convenience we must always mean. Think of a bleak and sleety March day. As the storm whirls against the house with strong blasts of rain and snow, our excitement increases by watching the swaying trees, and by listening to the shaking windows, while the lawless winds howl and rage around the corner. When the winds settle from boisterousness into low complaints, and now and then fall into quiet utterances, musical murmurings, the rain pauses, the sky softens, and our minds grow calm and gentle. But when, again, the clouds gather darkness, and make strength for a new onslaught, we become sober with fear and doubt. Tell me, if, as we view these changes, and hear these stirring or weird sounds, we do not indeed behold battle scenes, and listen to music from which even Wagner might have learned.
But the storm is the exceptional aspect, and we ought to care more for ordinary views. Winter is common enough, but it has its perfections. Its colors, though less gorgeous than those of autumn, are the most restful and quiet in their tone and feeling. Those grays and browns, huddling together in silent lines side by side, are full of peaceful beauty as they rest upon the white snow or up against uncertain skies. I like a gray atmosphere relieved by silver birches, just enough sombreness set off by cheerfulness. It is wisdom and patience ornamented with gray locks.
Spring, early spring, in New England, we call more disagreeable than winter. Ah, but it is the budding time! When you meet spring, before the trees come out in full dress, when all that fluttering, fluffy greenness, and that crimson flowering etch, with innumerable branchlets, the embroidery of Nature against the sky, you meet, even though the east sea winds blow, a season incomparable.
An opportunity for getting acquainted with Nature is never wanting. If men should cut down all the forest trees, as they now threaten, they could not "cut the clouds out of the sky," as Thoreau affirms. A roof light in a garret, even, gives the eye visions dazzlingly beautiful over beyond all the chimney pots, if the eye only looks. We would go far to see on canvas the lake, the river, the wood that borders our heritage; and yet we rarely heed their living charms that daily offer us new pleasures. We cross the ocean to visit great churches, and we throng to hear an organ played by a master musician; while in yonder forest we may enter a cathedral, loftier and grander far than art can form, through whose densely branching arches and solemn aisles sweeps the music of the winds from the organ pipes of the pines.
Nature, in most of her aspects, will give us small chance for censuring her scant attractions. A field of grass and flowers, sunshine and chirping birds, the clinging, changing foliage, or the shimmer of snow and ice, the light of moon and stars, are in some of her commonest pictures. We are simply to give heed. As Carlyle suggests, it is not because we have such superior levity that we pay no attention to Nature. By not thinking, we simply cease to wonder, that is all.
Oh, get acquainted with Nature, my girls, and see how lovely the world will become! Do you know that beautiful sketch by Charles Kingsley called "My Winter Garden"? Read it, and see how he gets the world out of a small space,-how he becomes rich. You know no man can buy a landscape,-it belongs to all. We are, every one, rich in summer skies, in fair forests, in great tracts of meadow verdure. See how Kingsley grows contented,-how he becomes wise. "Have you eyes to see? Then lie down on the grass, and look near enough to see something more of what is to be seen; and you will find tropic jungles in every square foot of turf; mountain cliffs and debacles at the mouth of every rabbit burrow; dark strids, tremendous cataracts, 'deep glooms and sudden glories' in every foot-broad rill which wanders through the turf.... Nature, as every one will tell you who has seen dissected an insect under the microscope, is as grand and graceful in her smallest as in her largest forms."
We are told there is something most practical in physiology. One of its first requirements is proper exercise for the body. Now, no exercise combines so many advantages as walking: by no other means can we come so easily to an acquaintance with Nature. Never ride in the country, or anywhere within Nature's dearest precincts, when you can as well go on foot. You cannot see things flying by you. Do not adopt the custom of most pedestrians, that of getting over the ground as rapidly as possible. Take daily walks, no matter what the weather is; but do not go too far. Irregularity in this exercise is harmful. It is far better to walk two miles daily than ten miles at one time, and fifteen a week hence. Go to see something on your walks, if you discover nothing more than a great hole in the ground; and come home with some thought about what you have seen. I found out a great truth, one day last spring, of which I was wholly ignorant before,-that a rose is sweeter in the morning than in the noonday. Many a lesson in that; some practical knowledge too.
In a delightful way, the hermit of Walden tells us how to take walks, how to truly saunter. He says that the word saunterer was derived from those persons who, during the Middle Ages, went on crusades to the Holy Land. When one of them, as he journeyed towards the East, appeared among the children, they would exclaim, "'There goes a Sainte Terrer!'-a Holy Lander"-which, you can see, came to be called "Saunterer." Thoreau says that every one who walks as he should, with his eyes and his heart open, is bound to a Holy Land. "Every walk is a sort of crusade, preached by some Peter the Hermit in us, to go forth and reconquer this Holy Land from the hands of the Infidels." Is not that a beautiful thought?
Walk with freedom of the chest and limbs, carrying nothing in the hands to prevent the play of any muscles. Breathe through the nose rather than through the mouth. I suppose the most of the girls can walk in an ordinary street dress; but I would suggest, if a girl is to go far, that she wear a full, short skirt, of not very heavy weight, a loose flannel blouse, and stout shoes. This costume can be arranged so that it will not in the least shock her townspeople. It is always safest, and usually most agreeable, to walk accompanied by one or more friends who are bound on the same quest. Begin your walk as you are to continue it: at an even, easy pace, or with such steps as you naturally take when the first signs of weariness appear. Use as much of your body as you can. Welcome the increased circulation of the blood, and the glow of the skin; but be very careful to retard these when you are nearing the end of your saunter, or are about to rest for a while. Remember the danger of standing or sitting quietly when in a perspiration.
It is profitable to rest early in a walk, and to break it by frequently sitting down for a few moments at a time. Do not walk too rapidly. Remember you are not to care who gets to the top of the mountain first. It should be your aim to see things on the way up, as well as from the summit. If one often turns to get views from behind, the ascent gradually prepares one's mind for the climacteric vision from the top. You may boast that you have walked a given number of miles, but count yourself still prouder because you have seen what that number of miles held for you along the way.
Be careful of your steps, yet be bold and confident, that you may leap the stream or scale the rock. If you stop to reflect, the stream will grow wider, and the rock steeper and smoother. A stick helps many in climbing, but I believe the skilled pedestrian climbs unaided. Do not jump, girls. Creep, slide, crawl; but never shock your system with a jump of few or many feet in height.
The dangers of walking arise from too great an ambition to go a long distance, from striving to out-walk somebody, from walking too rapidly and irregularly, and from allowing the mind to become so exhilarated as not to be sensible of the fatigues of the body. Stop when you are tired. Remember that, in a walk of ten miles, the last five are longer than the first five; then reserve that second half for the next day.
Form observation clubs, mountain clubs, pedestrian clubs,-any worthy association which will take you out of doors, and teach you about the region in which you live. Be earnest about it, as about a solemn, necessary work. Take your English cousins for examples. I think it was Sara Coleridge who, in her old age, complained because she could no longer walk more than fifteen miles a day. In that delightful essay, written by Charles Lamb, on "Old China," Bridget Elia sighs because she and her companion have become so rich they cannot walk their thirty miles, as they had so often done, on a holiday.
In England or in Switzerland, one meets whole flocks of English girls out on a walk of a week's duration. Think of the sport in such a tramp,-the hilarity on the way! the lunches gathered by hap-hazard from country bake-shops and groceries, and eaten in any retired nook that offers by the roadside! Think of the appetite for commonest food, and of the amusing difficulties which come from lack of knives and forks! On such a walk, how easy to pick one's self up after lunch, throw the dinner-table away, and trot on to the next village. As a girl passes from town to town, how eager she is to note their characteristics, to look at the people curiously, and to pry into their shop-windows. How much she learns about Nature! Is the sky so blue at home? Are the wild flowers so abundant? Is the grass so soft and green? Oh, girls! try to make yourselves at home with Nature, and walk out among her attractions. In all your observations of Nature do not forget her living personality, her power to love you, to comfort you, and to develop you. Feel that you have a friend with you even when you seem to go solitary. Remember that, in learning to know Nature, you are learning to know yourselves. From your friends and your books, ask all about what you see. Be favored with every grand spectacle in Nature, but be never wearied with her commonplace aspects. Do not think of yourselves so much as living in rooms and houses, but as living in the house, the palace of the earth and sky, whose every gallery, corridor and hall, is carpeted with Nature's tapestries of unfading color and deep softness; whose walls are hung with glowing sunsets; and through whose green roof, here and there, "a pane of blue sky" appears.